Hi Dave,
First of all, thank you very much for taking the time to provide such a detailed and informative reply. I really appreciate it!
I should mention that I’m using my Two/Fifty/Two as a stereo Hi-Fi power amplifier rather than in a guitar rig. It is currently running four 6L6 power tubes, and the 12BH7A tubes I’m experimenting with are TAD Redbase.
My goal is to achieve a fuller, more natural and cohesive musical presentation, while preserving clarity, instrument separation and stereo imaging.
After comparing the 12BH7As with the original ECC82/12AU7 tubes, I’ve noticed several differences that I find very appealing.
The 12BH7As seem to give instruments more body and density across the entire frequency spectrum, along with a stronger sense of musical cohesion or “glue.” The soundstage feels slightly wider and deeper, while the center image remains firmly focused and individual instruments retain their positions.
One particularly interesting difference is that cymbals and other instruments seem to blend more naturally into the overall mix, without losing their definition or stereo placement.
I’ve also noticed slightly less audible hiss with the 12BH7As, equally in both channels, with only the power amplifier running and no preamp connected.
There is no perceptible difference in overall listening level between the two tube types.
As an additional observation, after approximately three hours of operation, the power transformer’s external temperature feels practically the same with either tube type.
When I switched back to the ECC82s, the overall presentation sounded noticeably thinner to my ears.
Your explanation of the electrical effects of this substitution was extremely helpful, especially regarding the filament load, plate dissipation and changes in gain and negative feedback.
Given that my amplifier uses four 6L6 power tubes, would your assessment of the substitution remain the same for this particular configuration?
Thank you again for your time and expertise. It’s greatly appreciated!