These are from the old forum.
A few settings for the Sig X and Deliverance…
Support
03-01-2013, 05:47 PM
Customer has a Fifty/CL. Trades it in for a Sig:X. Likes it but misses some of the CL vibe - of course - 3 channels, 100W, KT88s, etc, etc…
Here’s my shot at getting the Fifty/CL vibe happening on the Sig:
P.S. The Sig is definitely more “dense” in the low mids than the CL. Keeping the Bass low decreases the low end density while turning the Depth up enhances the CL low end resonance (speaker reaction). It may seem counter-intuitive…well, yeah, it is counter-intuitive. C’est la vie (all knob settings refer to the clock face hour hand):
Rhyrhm Channel
“LIVE”
Gain I – 12
Gain II – 5
“BOOST”
‘MORE”
“40”
Master – 10
Treble – 1
Middle – 11
Bass – 12.30
Presence – 4:30
Depth - 3
Remember - clock face, not 1-10 
Steve Fryette
07-26-2011, 10:59 PM
I moved this part of my Deliverance clip thread here because it seems to be morphing into a Sig:X “How To” thread. Obviously people want to learn more about the Siggies capabilities, and from what I see here, even experienced Sig users may not realize how deep this amp really is. I’ll jump in every once in a while and throw out some setting suggestions. We’re also working on some clips…
Would you give a run down of the amp settings like you did for the 50CL … but for the Sig-X ?
Switches and knobs, left to right. All knob settings referred to clock face.
Rhythm track:
Rhythm Channel
Live
Gain I - 1:00
Gain II - 1:00
Boost On
More Mode
100W
Master - 10:00
Scoop
Treb - 1:30
Mid - 11:30
Bass - 2:00
Pres - 3:30
Depth - 2:30
Lead track:
Rhythm Channel
Burn
Gain I - 1:00
Gain II - 1:30 ~ 2:00
Boost On
More Mode
40W
Master - 10:30
Wood
Treb - 1:30
Mid - 11:30
Bass - 2:00
Pres - 3:30
Depth - 2:30
I don’t use the tone controls much. Just a bit for shading. Most of my voicing is shaped by the voicing switches, Gain I/Gain II ratio and Presence/Depth settings. Distortion/Overdrive blend is determined by the Master setting, thus, a little hotter Master against the 40W mode for the solo track gives a fatter overdrive and sustain while retaining the basic tonality. In this example I simply treat the Sig as if it were 2 amps - the D120 and D60 - for their respective tracks.
07-27-2011, 04:32 PM
After checking out these sounds I am curious on your recommend settings for the lead and clean channels ?
Lead Channel -Thick
Brown
Gain I - 2:00
Gain II - 10:00
Boost On
More Mode
40W
Master - 10:30
Wood
Treb - 2:00
Mid - 2:00
Bass - 2:00
Pres - 3:30
Depth - 2:30
Lead Channel - Aggressive
Blow
Gain I - 2:00
Gain II - 10:00 ~ 2:00
Boost On
More Mode
40W ~ 100W
Master - 10:30
Scoop
Treb - 2:00
Mid - 2:00
Bass - 2:00
Pres - 3:30
Depth - 2:30
Clean:
Bloom
Boost
100W
Open
Volume - 10:00
Treb - 12:30
Mid - 9:30
Bass - 1:00
Pres - 10:00
Depth - 9:00
Using the Hamer guitar used in the NAMM SAS video. It has a DiMarzio PAF style PU in the bridge.
07-28-2011, 02:22 PM
There are all kinds of things this amp does that you would never even think to try. Here’s a cool clean sound like a BF deluxe:
Rhythm Channel
Vintage
Gain I - 12:00
Gain II - N/A
Boost Off
Less Mode
40W
Master - 12:00
Scoop
Treb - 2:30
Mid - 9:00
Bass - 9:00
Pres - 10:00
Depth - 5:00
Use with a 1X12 or 2X12 open back cab @ 8 ohms.
Now hit it with your SAS set to:
V - 9:00
G - 2:00
Bias - 2:00
Neck PU.
How Steve sets up the Deliverance…
I usually set Gain I around 12-1 oclock, Gain II around 9-10 oclock in MORE mode.
TMB at around 12 oclock.
Presence and Depth around 12-1 oclock.
D120 Master around 9:30, D60 Master around 10-11 oclock - or just at the point where they really start to wake up.
